Our equipment is ideal for music videos, commercials, documentaries and
small feature projects. If you have any questions call us +1 (310) 916-9594


Our equipment is ideal for music videos, commercials, documentaries and small feature projects.
If you have any questions call or e-mail us 24×7!


• Lens Mount: Canon PL/EF
• Lens Communication with Autofocus Support
• Effective: 15.36 Megapixel (5120 x 3000)
• 30.72 x 18 mm (Super35) CMOS
• Electronic Rolling Shutter
• Dynamic Range 16.5 Stops
• RAW 5120 x 3000 up to 75 fps [300 Mb/s]
• ProRes 4096 x 2160 up to 29.97 fps / 2048 x 1080 up to fps
• Audio Recording: 2-Channel 24-Bit 48 kHz


• Lens Mount: Canon EF
• Lens Communication with Autofocus Support
• Effective: 21.2 Megapixel (6144 x 3456)
• 23.1 x 12.99 mm (Super35) CMOS
• Built-In ND Filter: 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64)
• Electronic Rolling Shutter
• Dynamic Range 13 Stops
• 6K RAW- 60 fps [359 MB/s]
2.4:1 When Recording in Raw
• 5K RAW- 60 fps [395 MB/s]
17:9 When Recording in Raw
• 4K RAW- 30 fps [163 MB/s]
• 3K RAW- 30 fps [265 MB/s]
• 2K RAW- 30 fps [101 MB/s]
• FullHD- 120 fps ProRes 422
• Audio Recording: Stereo


20-55, 50-125

• A parfocal cine lens, the DZO Pictor 20 to 55mm T2.8 Super35 Parfocal Zoom Lens features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22. The internal focus design with floating elements virtually eliminates focus breathing. It covers a Super35 image circle, comes standard with an interchangeable PL mount, and includes an EF mount.

Zeiss CP.2 Compact Prime Set

15, 25, 35, 50, 85

• The Compact Prime CP.2 lenses are the latest members of the ZEISS family of lenses for digital and film cameras. This second generation of the Compact Prime lenses now delivers even greater flexibility by introducing interchangeable mounts that allow the lenses to be used with a wide range of cameras from traditional cine to HDSLR systems.

Zeiss Contax Vintage Prime Lens Set

25, 35, 50, 85, 135

• Shoot 4K, 5K, 6K and even 8K with this Zeiss Prime Lens Set. These lenses project a sharp, flat image and will cover Red Dragon and beyond. They have been modded to accommodate cinema cameras. This includes an aperture de-click, focus gear, 80mm front ring, and an EF mount to boot. The most notable characteristic these lenses have is their “ninja-star” bokeh when the iris is closed a little bit. Otherwise, these are simple, lightweight, clean-look lenses with a bit of a vintage vibe!

Legendary Helios-44-2
Mir-1 Vintage Lens Set

HELIOS 58/2.0 & MIR 37mm/2.8

• These vintage prime lens set is originating from far Soviet-era craftsmanship.
• In a testament to its enduring legacy, Greig Fraser, the cinematographer for notable films such as ‘Dune’ and ‘The Batman,’ has incorporated a modified Helios 44-2 lens for certain scenes in these movies!
• MIR-1 was awarded the highest award – the Grand Prix . That’s why the engraving “Grand Prix Brussels 1958” can be found in the upper part of the lens body.

DJI Ronin 2 Professional

• Can be used with DSLR and any heavy FILM CAMERA!
• 30-Pound Payload Capacity
• Enhanced SmoothTrack Algorithm and GPS
• Upright, Underslung, and Briefcase Modes
• Easy Underslung/Upright Transitions
• 2-Axis Mode for Use with Steadicam
• Retractable Feet; Self-Supporting Design
• Camera Control for Select Cameras
• 2.4/5.8 GHz Switchable Remote
• Up to 0.6-Mile Control Range

Ready Rig GS

• Can be used with DJI RONIN 2 and any heavy FILM CAMERA!
• Load Capacity Range of 1-30 lb
• Vertical Axis Stabilization
• Compatible with Any Gimbal
• Carbon Fiber Support Arms
• Operate Gimbal Over- or Under-Slung
• Aluminum & Carbon Fiber Construction
• Slim, Compact Design
• Soft Carrying Case Included

Tilta Nucleus-M Wireless Focus

• 1000′ Wireless Range
• Two Lens Drive Motors
• Motors Feature Integrated Receivers
• 0.8 MOD Drive Gears
• Focus, Iris, Zoom Hand Unit
• Motors Daisy-Chain for Power
• Right Handgrip with Focus Control
• Left Handgrip with Iris and Zoom Control
• Hard-Shell Waterproof Case Included

Atomos Shogun Inferno 4K RAW Recorder

• Shogun Inferno 7″ 4K HDMI/SDI Recorder
• Hard Case, Batteries, Charger, Sunhood
• Docking Station, Cables, Drive Caddies
• 1920 x 1200 Touchscreen Display
• UHD 4K up to 60p/1080p up to 240 fps
• 4K HDMI & Quad 3G-SDI/Single 12G-SDI I/O
• 10-Bit FRC Monitor Processing
• 1500 cd/m² Brightness
• 10-Bit 4:2:2 ProRes & DNxHR Encoding
• HDR Mode, 3D LUT Support & More


Digital single-lens reflex camera Kits with ZOOM H4n digital sound system

• Digital, AF/AE single-lens reflex, camera
• CF Cards (Type I); Compatible with UDMA CF cards; SD, SDHC, and SDXC Memory Cards
• Approx. 36 mm x 24mm (35mm Full-frame)
• Canon EF Lenses (excluding EF-S Lenses)
• Design Rule for Camera File System 2.0 and EXIF 2.3
• Video: MOV (Image data: H.264/MPEG-4 AVC; Audio: Linear PCM)
• Records to either the CF card or SD card
• When the current card becomes full, the camera switches to the other card automatically
• File Format: MPEG-4 AVC / H.264
• Variable (averaged) bit rate
• Recording Sizes: 1920 x 1080 (Full HD), 1280 x 720 and 640 x 480
• Frame Rates
1920 x 1080: 30 fps / 25 fps / 24 fps, 1280 x 720: 60 fps / 50 fps, 640 x 480: 30 fps / 25 fps


• 35 mm f/1.4 DG HSM Art (Sigma)
• 35 mm f/1.4 AS UMC Lens (Samyang)
• 50 mm f/1.2L USM (Canon)
• 85 mm f/1.4 DG HSM Art (Sigma)
• 85 mm f/1.4 Aspherical Lens (Samyang)
• 100 mm f/2.8L Macro IS USM (Canon)

• 11-16mm f/2.8 AT-X 116 PRO DX-II  (Tokina)
• 24-105 mm f/4 DG OS HSM Art (Sigma)
• 70-200 mm f/2.8L IS II USM (Canon)

• 35 mm f/2.0 Lensbaby Composer Pro


• Triple lens Pentaflex mount
• Zeiss lenses: 2.8/12.5mm, 1.4/25mm and 1.4/50mm
• Reflex view finder with an unusual optical path that runs under the camera instead of above the film chamber
• Manual exposure only (no integrated exposure meter)
• Max. reel capacity: there are two different magazines: 30m/100ft and 120m/400ft
• Variable shutter (0 – 180°)
• No sound recording – a non-quite camera made for B roll or post sound recording


• Vintage USSR 8mm Film Camera with Half Used 8mm Film Cartridge
• ‘Agate-14’ lens: 2.8/9mm-27mm zoom


• ARRI 650 Plus (+ dimmer) – 1 Unit
The ARRI Fresnel series is ideal for use where compact,
lightweight tungsten Fresnel spotlights are required,
especially in small studios where grid height is a problem.

• Cosmobeam 1000W (+ dimmer) – 2 Units
This 800/1000W open-face, tungsten-halogen floodlight is a precious tool
for both studio applications and locations where powerful and long-distance illumination,
quick and easy setup are needed.

• Litepanels MicroPro – 1 Unit
On-Camera LED Light


• Sony MDR-7506 Circumaural Closed-Back Professional Monitor Headphone
• Zoom H4n Handy Mobile 4-Track Recorder
• DJI Mic 2-Person Digital Wireless Microphone System/Recorder (2.4 GHz)
• Sennheiser ew 100 ENG G2 Wireless Microphone System Combo – A (518-866 MHz)
• Sennheiser SKP 100 G2 Plug-on Transmitter for Dynamic Microphones – A (740-776 MHz)
• Shure SM57-LC Dynamic Microphone
• Sennheiser MKH-60 – (P48) Short Shotgun Mic
• Sennheiser Ultimate Shotgun Microphone Kit – Includes: Rycote Windshield Kit, Cabled Boom Pole and Canare XLR Cable
• Tram TR50 – Omnidirectional Lavalier Condenser Microphone (Black)
• Sony ECM-55B – Omni-Directional Lavalier Condenser Microphone
• PSC FBPS-CCRA – Small Carbon Fiber Boom Pole with Coiled Cable and Side Exit XLR Connector- Measuring 1.7 – 6.1′


• Min height is 0 ft.
• Max height is 9.6 ft. (2.9 m)
• Libec JB-30 Jib Arm with T101 Tripod and DL-8 Dolly- Supports up to 22 lb (10 kg)
• A full featured jib which supports film or video cameras weighing up to 22 lb (10 kg).
• The head attachment is adaptable between 75 mm and 100 mm, and may be reversed when an ant’s-eye point of view is desired.
• Standard barbell-type plates are employed for the counterweight, and the whole assembly sets up and breaks down in a simple, logical manner.


• 24ft. Straight Aluminum Camera Dolly Track, ⌀ 32mm
• Can be used with LIBEC JB-30 JIB ARM and any heavy FILM CAMERA!
• Easy Slide – Easy Glide construction
• Portable, travel friendly , light weight and sturdy system
• Achieve amazing smooth & cinematic professional shots
• Quality designed with astounding features


• Fog Machine DONNER DFM-400S 400W designed to create subtle atmospheres that enhance the visual effects of light beams on film set, dance floors, and more.
• Donner fog machine supplied with wired remote control. You can control the fog machine with the 3 meters wired controller.
• The fog machine equipped with an advanced electronic thermostat control system and special pipeline technology. Allow the machine to warm up in 3-4 minutes.


• ROLLER skating equipment
• MIDLAND GXT-500 radio system (433.075- 434.775 MHz up to 10 miles)
• 15-inch MacBook Pro with Adobe Premiere Pro, Final Cut Pro, AVID Media Composer & DaVinci grading tool installed



Create and develop ideas for any kind of project


Prepare all pre-production details: casting, location, timing, etc.


Write scripts for documentaries, advertising and music videos


Provide cool quality production
20+ years experienced film crew


Create director’s storyboards using quick pencil drawings


Editing, Color correction / Grading video,
2D and 3D graphics, Sound design

Work in progress!